Friday, October 30, 2009

Joan Brown made sculpture

I did not know that Joan Brown made sculpture. No one told me. Even the art schools I've attended had poor books of Brown's work in their libraries. They were all black white and/or had faded pages. I want a good monograph on her. (hint, hint).
I love her paintings and find her sculpture very charming. That sounds kind of minimizing, but charm is underrated.

She died fairly young at age 51, at a construction site in India, while they (and her?) were installing an obelisk. Stories like these make me think religion (she obviously was attracted to the Far Eastern sort) is a joke.

No matter, long live Joan Brown! LACMA recently replaced their Joan Brown with a John Altoon, another very underrated artist, in their permanent display this year. When is a god damn space gonna give either a full retrospective?

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Wednesday, October 28, 2009

Pics From a group show I was in @533 Gallery, downtown L.A.

SEE HERE HERE HERE* @ the Try Harder Blog, a good L.A. 'scene' blog in its own right.

*My work is the pool paintings, the chandelier, etc, etc.

Someone asked what a chandelier painting was. I was like, turn your head, bitch.

Monday, October 26, 2009

I have a: "Head Like a Bore"

bore
1  /bɔr, boʊr/
–verb (used with object)
1. to pierce (a solid substance) with some rotary cutting instrument.

2. to make (a hole) by drilling with such an instrument.

3. to form, make, or construct (a tunnel, mine, well, passage, etc.) by hollowing
out, cutting through, or removing a core of material: to bore a tunnel through the Alps; to bore an oil well 3000 feet deep.

4. Machinery. to enlarge (a hole) to a precise diameter with a cutting tool within the hole, by rotating either the tool or the work.

5. to force (an opening), as through a crowd, by persistent forward thrusting (usually fol. by through or into); to force or make (a passage).
–verb (used without object)

6. to make a hole in a solid substance with a rotary cutting instrument.

7. Machinery. to enlarge a hole to a precise diameter.

8. (of a substance) to admit of being bored: Certain types of steel do not bore well.

–noun

9. a hole made or enlarged by boring.

10. the inside diameter of a hole, tube, or hollow cylindrical object or device, such as a bushing or bearing, engine cylinder, or barrel of a gun.
Origin:
bef. 900; ME; OE borian; c. OHG borōn, ON bora, L forāre

Related forms:
bore⋅a⋅ble, bor⋅a⋅ble, adjective

Synonyms:
1. perforate, drill. 10. caliber.
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bore

2  /bɔr, boʊr/ Show Spelled Pronunciation [bawr, bohr] Show IPA verb, bored, bor⋅ing, noun
–verb (used with object)

1. to weary by dullness, tedious repetition, unwelcome attentions, etc.: The long speech bored me.
–noun

2. a dull, tiresome, or uncongenial person.

3. a cause of ennui or petty annoyance: repetitious tasks that are a bore to do.
Origin:
1760–70; of uncert. orig.

Synonyms:
1. fatigue, tire, annoy.

Antonyms:
1. amuse; thrill, enrapture.
bore
4  /bɔr, boʊr/ Show Spelled Pronunciation [bawr, bohr] Show IPA
–verb
pt. of bear 1 .
Dictionary.com Unabridged
Based on the Random House Dictionary, © Random House, Inc. 2009.
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bore 1 (bôr, bōr)
v. bored, bor·ing, bores

v. tr.

1.

To make a hole in or through, with or as if with a drill.
2.

To form (a tunnel, for example) by drilling, digging, or burrowing.

v. intr.

1.

To make a hole in or through something with or as if with a drill: "three types of protein that enable the cells to bore in and out of blood vessels" (Elisabeth Rosenthal).

2.

To proceed or advance steadily or laboriously: a destroyer boring through heavy seas.

n.

1.

A hole or passage made by or as if by use of a drill.
2.

A hollow, usually cylindrical chamber or barrel, as of a firearm.
3.

The interior diameter of a hole, tube, or cylinder.
4.

The caliber of a firearm.
5.

A drilling tool.


[Middle English boren, from Old English borian.]
bore 2 (bôr, bōr)
tr.v. bored, bor·ing, bores
To make weary by being dull, repetitive, or tedious: The movie bored us.
n. One that is wearingly dull, repetitive, or tedious.

Monday, October 19, 2009

Awesome Dance Sequences



This scene is from Meetings with Remarkable Men(1979), a film about the early years of G.I. Gurdjieff. It was directed by long-time Gurdjieffian Peter Brook, who was also a director of the Royal Shakespeare Theater Company. What is unusual about the film is the almost Bressonian even-temper of the actors, as if their personalities were somewhat repressed during filming. Even Terence Stamp, who was a supporting actor in this film, seemed unusually flat and opaque. It made me wonder if this acetic quality was something Robert Bresson himself knew from possibly studying Gurdjieff? Afterall, Gurdjieff described his "work" being partly derived from Christianity, Bresson's faith.

Overall, the film was hard to watch, if interesting in retrospect. These dance sequences, known as 'movements', were designed by Gurdjieff for advanced students of the work, and were the most fascinating bits of the film. I was especially in awe of the first sequence seen here.